loopy777: (asn)
Title: The Contract
Rating: K+ (contains a little unexplained crude humor)
Characters: Mai, Ursa, Zuko
Notes: I wanted to do my take on the idea of a formal betrothal between Mai and Zuko as kids. Somehow, I wound up with a comedic satire of Fire Nation culture as seen through the eyes of Mai and Ursa. Weird, right?
Warning: Contains allusions to Ursa's backstory as presented in 'The Search - Part 1'

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loopy777: (asn)
Here we are again, planning a story I call "Sokka's Eleven," about how Sokka reacts to adulthood and peacetime by lashing out and robbing a casino for specific reasons I'm obscuring for now. So, last time I discussed my premise, and outlined what seemed to be my Eleven crew before I said I was going to have to redo the whole thing.

The list I created last time was indeed the cast I was going to use before I shelved this story, but since picking it up again, I realized that it had major problems. (Either I needed the perspective of a little distance, or I've become a better writer since then.) I'm sure most people notice, but the core of my Eleven crew is, essentially, the gAang. If I write them as in-character then they're going to essentially get along, they're going to know how to work together, and they're not going to interact as readily with the lesser cast members who won slots on the team.

As was pointed out on my deviantArt account, Zuko and Aang especially seem like odd choices for this story. They are the Avatar and the Fire Lord, two of the world's five world leaders. It's kind of mean for them to picking on a little casino owner. Even if he is a really bad person, or trying to take over the world or something, it's just petty to rob him or her before saving the day in the traditional manner. Just like the President of the United States wouldn't have worked in Ocean's Eleven, Zuko and Aang wouldn't have worked here.

Plus, this is a story about a casino heist. I notice there's a disturbing dearth of career criminals involved.

What I need is a team that will challenge each other, have some little conflicts without the interpersonal drama overshadowing the heist itself. I need these people to learn from each other, and learn about themselves through their interactions. I need people who can undergo their own little story-arcs that tie in with the main themes. I need them to be "small" enough that they are the underdog against this casino owner. And, as Lavanya Six noted on my LiveJournal, I'm missing some important archetypes for this kind of story. So, who should I swap out, and who gets in?

Well, Sokka stays. And, as noted, Mai has a major story arc while also being a pleasantly quirky specialist. I may or may not want to give a midlife crisis and/or growing-up story to Ty Lee, but even if I don't, she can be a really useful sounding board for the other two. Teo, as I noted, fulfilled an important archetype, plot-related role, and even played into the main theme. He stays. And they all have unique skills that could be useful for the heist.

So, who's new?

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loopy777: (asn)
So, I was reading Star Wars: Scoundrels this weekend, a story that could have been retitled "Han Solo's Eleven" and it wouldn't be any less apt. I personally recommend the book to people who like Star Wars, Han Solo, or complicated capers, but that's not what this post is about. I enjoyed the book so much that it revived my enthusiasm for an old fanfic idea that I shelved in favor of other projects:

Sokka's Eleven.

One of the reasons I put it on the back burner was the announcement of The Promise, because my vision of Sokka's Eleven would deal with how the various characters adapt to adult life in the post-war world, and I didn't want the comic stepping on my toes. (It already ruined Last Stand of the Freedom Fighters forever. No need to repeat it.) However, since the comics have turned out to be a blight on everything that was ever good about ATLA, I'm thinking maybe I don't care about writing a story that one-ups the comics. After all, I can't do any worse than Gene Yang. Besides, Legend of Korra gives end-points for the main cast's lives that go far beyond the circumstances of the comics, so I can use work based off that information and perhaps accidentally wind up more or less compatible with what gets filled in later as "canon."

However, I'm writing Retroactive now. (Hey, maybe one or two of you haven't heard yet. Doesn't hurt to get that fact established.) I'm too dedicated to that to shelve it in favor of another novel-sized project, but I figured out the next best thing...

I'll just plan out Sokka's Eleven in public, via a series of blog posts, and see how people respond to my ideas and process.

So, first up, I flesh out the premise and major characters.Read more... )
loopy777: (Default)
Title: Secret Origin
Rating:  T

Characters: Zuko, Mai, "Lady Rei!"
Notes: Mai gets Meta about something other than her rival ships and reception with the fandom.


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loopy777: (Default)
Last year, I published my original outline for my Maikka Fortnight story, commenting on how I changed my plans in the writing phase and why. I wasn't planning on doing the same thing this year, as my story was meant to be a lighthearted series of comedic events, but then a plot butted in and brought its annoying friends, the subplots. Since I have an original outline, anyway, I might as well post it for those who are interested in the writing process.

For those who haven't read "Trapped in Ba Sing Se," here are the links, and let it be known that it is very much not a mere shipping fic, for better or for worse. I recommend reading the story before these notes, otherwise stuff will get spoiled and/or you won't have the foggiest idea what I'm talking about in my retrospective comments.
deviantArt: http://loopy777.deviantart.com/gallery/38991836
FanFiction.net: http://www.fanfiction.net/s/8397057/1/Maikka_Week_2012_Trapped_in_Ba_Sing_Se

As with last year, the plaintext are my original notes while anything bold in the spoiler cuts are my current comments. Discussion and criticisms are welcome.

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